Currenlty I am working on a long term story script. It's purely horror fiction so I would need someone with a dark eye. I have 4 issues written in story script form and ready to go. This is an end of the world type situation without the super heros. The protaganists are human, normal, and vulnerable against the worst Hell has to throw at them.
Please let me know if anyone is interested. I'm looking for a partner here and this could be a good opportunity to work on something new from the ground floor. I really believe in this story and I need to see it put to life.
Please email me at holme11210@aim.com
Writer seeking artist
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holmes11210
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- Joined: Wed Dec 05, 2007 5:24 pm
- Location: middletown,ny
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holmes11210
- Forum Member
- Posts: 2
- Joined: Wed Dec 05, 2007 5:24 pm
- Location: middletown,ny
The pages I am sending are from a later issue that I have written. It’s kind of in the middle of the story. I try to leave the panel sizes and shapes up to the artist so have fun with it and let me know what you think.
Page#1
Panel 1. We open the page up with a colonial style house with a large front lawn. The grass looks rather unattended. Covered by some the grass is a child’s over turned big wheel. The walkway leading to the front steps has weeds growing through the cracks. The front door of the house is opened inward at a 45 degree angle and appears to be splintered as if forced in. To the right of the door are one of those typical wooden signs you can pick up in Home Depot with the house number and the name of the family. “155 Mills” “The Andersons”. At the foot of the door is a half flipped door mat……because of the angle we can’t read what it says.
Panel 2. This panel we are inside the living room of the house. One couch is over turned, the t.v.’s smashed and some of the pictures on the wall are hanging askew. Like the outside I want to show the reader the aftermath of something bad.
Panel 3. Close up of an interior door leading to the basement. We see claw marks all over from the demons trying to get inside. The claws are in sets of 3’s showing that there are only 3 claws on each hand. The door is also splintered in sections from constant force being applied.
1) Mrs. Anderson:
What if they’re still here?
2) Mr. Anderson:
God dammit Barb it’s been days. Those things are gone……they’ve moved on.
3) Mrs. Anderson:
How do you know?
Page #2
Panel 1. In the forefront of the panel we see the backs of two kids holding each other. They’re scared and focusing on their parents that we see up the basement stairs on the other side of the door from panel#3 of page 1. The mother’s trying to pull father back down the stairs. Both parents are in their mid-forties and look very disheveled from long days in the basement. The father is a bit over weight and has his back to the mother holding the door knob with right hand and a hatchet with his left.
1) Mr. Anderson:
Barb look at the kids and tell me that they don’t need food.
2) Mr. Anderson: (Whispering)
I said look at them.
Panel #2. Close up of Barb Anderson. Her face is looking down at the kids off panel at the bottom of the stairs. She’s terrified and worried.
1) Mrs. Anderson:
Be careful Dan. Just to the kitchen and back
Panel#3. Mrs. Anderson is backing down the stairs as Mr. Anderson slowly opens the basement door. Her hand is reached out as if to touch him but just misses.
1) Mr. Anderson:
Kitchen and back. I promise.
Panel#3. Mr. Anderson is now out side of the basement and shutting the door behind him. From the angel of this panel we see that the basement door is in a short hall way opening up to the kitchen. We see a bit of the sink and some cabinets but that’s all.
Panel#4. Mr. Anderson is approaching one of the closed cabinets and reaching out with the hand not holding the hatchet. He’s sweating and looks scared shitless.
1) Mr. Anderson: (Whispering to self)
Kitchen and back, kitchen and back. Just to the f***ing kitchen and back.
Page 3
Panel #1. Close up of the cabinet opened by Mr. Andersons empty hand. With the cabinet open we now see a demon lunging out claws thrust forward and legs uncoiling. (The demons are described in earlier issues but I’ll go over it here. They are hairless creatures a little bigger than a small dog. The arms are long with large talons attached.)
Panel #2. Mr. Anderson is crashing to the floor on his back with the demon clawing at his face. This is a kitchen so show other cabinets and tiled floor.
Panel #3. Andersons top half of his body is in the panel with his back on the floor. He’s trying to push the demon off still holding the hatchet in the hand closest to the reader. The demon has one clawed hand pushing at the top of Andersons jaw and the other hand pulling at the bottom jaw. Like a prying motion to open his mouth wider.
Panel #4. Similar to panel 3 of this page but now the demons head is misting passing into Andersons open mouth and nostrils. (This is how the demons take hosts)
Page# 4.
Splash Page. Mrs. Anderson is holding her two kids at the bottom of the basement stairs. She knows something is wrong and is crying we see this from behind. The kids are also crying and pushing their faces into their mothers breast. In the back ground of the panel we see the basement stairs leading to the now open door with Mr. Anderson filling up the door frame holding his hatchet. I’d like to see a contrast between the dark basement and the bright upstairs beyond the door.
1) Mrs. Anderson: (Crying)
Keep your eyes closed….daddies back. It’ll all be over.
Page#1
Panel 1. We open the page up with a colonial style house with a large front lawn. The grass looks rather unattended. Covered by some the grass is a child’s over turned big wheel. The walkway leading to the front steps has weeds growing through the cracks. The front door of the house is opened inward at a 45 degree angle and appears to be splintered as if forced in. To the right of the door are one of those typical wooden signs you can pick up in Home Depot with the house number and the name of the family. “155 Mills” “The Andersons”. At the foot of the door is a half flipped door mat……because of the angle we can’t read what it says.
Panel 2. This panel we are inside the living room of the house. One couch is over turned, the t.v.’s smashed and some of the pictures on the wall are hanging askew. Like the outside I want to show the reader the aftermath of something bad.
Panel 3. Close up of an interior door leading to the basement. We see claw marks all over from the demons trying to get inside. The claws are in sets of 3’s showing that there are only 3 claws on each hand. The door is also splintered in sections from constant force being applied.
1) Mrs. Anderson:
What if they’re still here?
2) Mr. Anderson:
God dammit Barb it’s been days. Those things are gone……they’ve moved on.
3) Mrs. Anderson:
How do you know?
Page #2
Panel 1. In the forefront of the panel we see the backs of two kids holding each other. They’re scared and focusing on their parents that we see up the basement stairs on the other side of the door from panel#3 of page 1. The mother’s trying to pull father back down the stairs. Both parents are in their mid-forties and look very disheveled from long days in the basement. The father is a bit over weight and has his back to the mother holding the door knob with right hand and a hatchet with his left.
1) Mr. Anderson:
Barb look at the kids and tell me that they don’t need food.
2) Mr. Anderson: (Whispering)
I said look at them.
Panel #2. Close up of Barb Anderson. Her face is looking down at the kids off panel at the bottom of the stairs. She’s terrified and worried.
1) Mrs. Anderson:
Be careful Dan. Just to the kitchen and back
Panel#3. Mrs. Anderson is backing down the stairs as Mr. Anderson slowly opens the basement door. Her hand is reached out as if to touch him but just misses.
1) Mr. Anderson:
Kitchen and back. I promise.
Panel#3. Mr. Anderson is now out side of the basement and shutting the door behind him. From the angel of this panel we see that the basement door is in a short hall way opening up to the kitchen. We see a bit of the sink and some cabinets but that’s all.
Panel#4. Mr. Anderson is approaching one of the closed cabinets and reaching out with the hand not holding the hatchet. He’s sweating and looks scared shitless.
1) Mr. Anderson: (Whispering to self)
Kitchen and back, kitchen and back. Just to the f***ing kitchen and back.
Page 3
Panel #1. Close up of the cabinet opened by Mr. Andersons empty hand. With the cabinet open we now see a demon lunging out claws thrust forward and legs uncoiling. (The demons are described in earlier issues but I’ll go over it here. They are hairless creatures a little bigger than a small dog. The arms are long with large talons attached.)
Panel #2. Mr. Anderson is crashing to the floor on his back with the demon clawing at his face. This is a kitchen so show other cabinets and tiled floor.
Panel #3. Andersons top half of his body is in the panel with his back on the floor. He’s trying to push the demon off still holding the hatchet in the hand closest to the reader. The demon has one clawed hand pushing at the top of Andersons jaw and the other hand pulling at the bottom jaw. Like a prying motion to open his mouth wider.
Panel #4. Similar to panel 3 of this page but now the demons head is misting passing into Andersons open mouth and nostrils. (This is how the demons take hosts)
Page# 4.
Splash Page. Mrs. Anderson is holding her two kids at the bottom of the basement stairs. She knows something is wrong and is crying we see this from behind. The kids are also crying and pushing their faces into their mothers breast. In the back ground of the panel we see the basement stairs leading to the now open door with Mr. Anderson filling up the door frame holding his hatchet. I’d like to see a contrast between the dark basement and the bright upstairs beyond the door.
1) Mrs. Anderson: (Crying)
Keep your eyes closed….daddies back. It’ll all be over.