From this page onward, things happened pretty quickly. Pretty far back, I had an idea of how the comic should end, considering the "Hamlet" influence. In drawing the massive audience, which had at the time been merely an intriguing idea (and a way to get two pages done at once), I brought myself even closer to that ending.

This page followed logically from the previous two: Obviously, if our protagonist is mysteriously transported to a stage, she's going to be performing as Hamlet and, obviously, if we're nearing the end of our comic, then the production of "Hamlet" is near its ending.

When drawing this page, I worked out exactly what the next two pages would be and I also realized how important page eighteen's third panel would be.