Published Writer Seeks Artist For Crime/Action Comic Pitch!

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MGordon
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Published Writer Seeks Artist For Crime/Action Comic Pitch!

Post by MGordon »

Hi everyone,

A few months ago I advertised for an artist to collaborate with on a 4-issue undersea horror/sci-fi miniseries that is currently in production with a well known UK Indie publisher. I was successful in finding someone (hooray!) and that miniseries should, all being well, be published in late 2016/early 2017.

I do have a few other stories that I want to develop and pitch to publishers in the period between finishing the last script for my miniseries and the eventual publication date.

I am seeking an artist for a crime/action/thriller 4 issue miniseries that I am developing. I have a pitch document written, as well as the first 8 script pages completed. I am now working on fleshing out an outline for the entire 4 issues and will complete the full script for #1 soon enough.

Here is a synopsis of the story, which is entitled 'Red Winter':

Eli Winter was a well-respected NYPD Detective who was idolized by his peers and feared by the criminal element in equal measure…until rumours began to circulate that Winter was corrupt, in the pocket of the Russian mafia in NYC – specifically the feared boss Nikolai Dubrovsky, of the ‘Rasplata Rytsari’ (The Knights Reckoning) gang. Before any charges could be brought against him, both Winter and Dubrovsky disappeared, eventually resurfacing in Moscow with Winter living under a new identity.

Our story picks up with Eli living in Kapotnya, Moscow and working for Dubrovsky. He hates it there. It’s too cold, he can’t stand the food and the fact he is now at Dubrovsky’s beck and call is a constant source of frustration. He knows he owes the old Russian bastard; after all, he’d be in jail back in America without him, but being his hired hand in a strange foreign country was not how he imagined spending his twilight years.

Eli is called to a murder scene at the beginning of #1. Several of Dubrovsky’s men have been gunned down at one of their drug labs and all the lab’s money/merchandise has been stolen. Dubrovksy wants Eli to investigate and bring him the people responsible. Eli actually likes this new task as it makes him feel like a cop again, not the ‘criminal with a badge’ he had become during his time with the NYPD. Of course, it helps if he doesn’t think about the morality of finding wrongdoers only to turn them over to Dubrovsky to, most likely, murder them.

It is revealed that the murders were actually committed by Eli’s son, Eli Jr (or Joseph, his middle name, as he prefers to be known). Joseph had always had a troubled relationship with his dad and Eli hasn’t seen his son at all in over five years.

Joseph says he was convinced to come to Moscow by his friend Yuri, who was going to vouch for him to join the lowest rung of the ‘Chistyye Krovi’ (Pure Bloods) gang. This gang is the main rival to Dubrovsky’s, and busting up the meth lab was Joseph’s way of proving himself to the gang. Joseph now realises he's in way over his head and needs his father's help.

Will Winter protect his estranged son and go against the man he owes his freedom and life to? How did Joseph know where to find his dad? And is everything as it seems with the young man? Clue: it's not.


For the pitch, we'd be needing those 8 script pages pencilled and inked initially, as well as potentially a cover (although that's not essential for every publisher's submission guidelines).

As of right now, drawing these initial pitch pages wouldn't be a paying gig. I'd love to be able to, but all my extra cash is going to my artist for the current miniseries in production. Sorry. :( However, should the pitch be picked up by a publisher, obviously then the artist would be paid a page rate to continue on past those 8 pages and the project rights would be owned 50/50 between writer and artist.

If anyone is interested, please send me a PM or e-mail mikeonfireAThotmailDOTcom with samples of your work and I can send you the pitch document and script pages to see if you like the sound of the project.

Thanks!
Godman
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Post by Godman »

The story is so cliche.
derickthyago
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Post by derickthyago »

I have sent portfolio
MGordon
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Post by MGordon »

Godman wrote:The story is so cliche.
Great input. Thanks.
Omaik
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Post by Omaik »

It sounds very standard and unoriginal, true, but its not a matter of how original is the plot but how its executed, the development, etc.
I cant take unpaid projects at the moment, but im sure youll find someone for it. As it is, it sounds more interesting than the usual "walking dead with a twist" or post-apocaliptic garbage laying around.

Good luck with your project!
MGordon
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Post by MGordon »

Omaik wrote:It sounds very standard and unoriginal, true, but its not a matter of how original is the plot but how its executed, the development, etc.
I cant take unpaid projects at the moment, but im sure youll find someone for it. As it is, it sounds more interesting than the usual "walking dead with a twist" or post-apocaliptic garbage laying around.

Good luck with your project!
I'd like to think that's the case, as well. What I posted was a pretty basic synopsis of the foundations of the story, and yes, it definitely has elements that have been seen before in a lot of fiction.

But then, most stories have elements of things we've seen; like you say, it's about the execution. It's about the characters, the dialogue, the pacing; and hopefully Red Winter will have that.

I mean, take two well-reviewed and popular crime/action movies from the last few years that were successful: 'John Wick' and 'Sicario'. They both have very simple plots at their core (retired assassin comes out of retirement on a revenge mission / group of FBI/DEA agents go down to Mexico to fight the drug cartels). But their execution was so good and they told their stories with such flair that critics and audiences liked them.

So, yeah, hopefully my execution will be good enough that any familiar elements can be forgiven.
ld-airgrafix
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Post by ld-airgrafix »

i would strongly suggest you remove the part about not being able to pay because all your money has gone to another artist for another story. To me this comes across as , you dont really care about this new book as much as your current paying title, therefore you wont put in as much time as promoting it as you would something you paid money for.
Nothing wrong with free collaboration, but i would leave out the part about paying other artist,
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